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Person-Centered Counseling and the Integration of EMDR as a Therapeutic Tool

Term Paper Number
898599599
Term Paper Description
Person-Centered Counseling and the Integration of EMDR as a Therapeutic Tool
Publish Year
2002
Academy
University of Sarasota
Course
C6436
Number Of Pages
42
Number Of Words
10515
Number Of Sources
82
Price
25 $ (USD)
Keywords
empathic failure, empathic responding, empathy, childhood abuse, emotional dysregulation, trauma, traumatic memory, stress response, HPA axis, fight or flight response, REM sleep, EMDR, eye movement desensitization and reprocessing, parasympathetic
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Paper Abstract

Person-Centred Counselling and the Integration of EMDR as a Therapeutic Tool

January, 2002

Prologue

            It seems I am floating along a soft surface of pine needles and the sound of gentle wind I hear comes from the treetops arching hundreds of feet above my head.  The delicious smell of fresh pine languishes in the air and makes me feel as if I am reclining motionless in a bath of warm water, still to the point of paralysis.  As I walk I smile and reach out to lean one hand against the rough surface of the grandfather of all trees that lined our property in the hills of the Aberdeen Mountains.  I am gazing to the south, my eyes taking in the squat stone lined sketch of our cottage framed in by the gentle green slope of Kerrington’s hillside that stretches east to west and wraps around the cool waters of Manyon Lake four miles round and glasslike in the morning damp.  It must be autumn because the land around me is not so much grey, but reddish brown with autumn orange and yellow leaves shed by our tall, summer-lush maples.  Their delicate, crisp leaves that span my child-hand drift downward cradled by whispering currents silently to the rhythmic patter of morning dew drops falling from branches too high to reach.  I feel warm.  The cottage smokes like a forgotten cigarette left to cinder at the bottom of a ceramic ashtray.

            Like magic, I’m inside now taking in the golden hues of wood and ceramic tile of the kitchen.  The windows seem steamed up, perspiration clinging to the corners of each window pane like an auric crystalline glaze. I want to lean over the countertop and draw a smiley face, but instead fold the comfort of the moment around me in my own smile. I am alone in the house.  After standing for some time in the kitchen basking in the warmth the contours of the walls and floors invite, I step forward toward the open dining area and into the main part of the house held open to daylight and darkness alike by tall delicately designed French windows that extend along the entire front and both sides of this box-like cottage.  There is a familiar texture emerging beyond my immediate perceptual range.  I have in me a mild urgency to find something I am missing.  I am seeking something, yet know I will find it for it is leading me to its location.  I follow.

            A particular smell lingers about the place.  A combination of wood smoke, apple cider, fresh damp earth and tea leaves.  The rich smell of cut grass washes over me, too, with the hypnotic hum of a mower echoing … from somewhere.

            I ascend the staircase, which sits squarely between the dining area and the living room.  The walls on either side serve as the divider between both main rooms. The underside of the stairwell is the opposite descent into the creepy basement accessed by a door in the kitchen – the diminutive size and stature of which was conceivably designed for elves to come and go through   The stairs have a slightly hollow sound to them as I thunder up them in a hurry.  Flush with the wall to my left at the top of the stairs is the entrance to my bedroom, which appears more like an opening to a closet.  The room itself is not much bigger than a closet and is the smallest room in the house.  Against one wall and occupying the majority of space, squats an iron frame comfortable trundle bed wedged in by floor to ceiling, wall to wall bookshelves equally stuffed to capacity with childish volumes, my stuffed animals – Raggedy Andy and Anne, Winnie-the-Pooh, Eyore with his buttoned on tail, and Kanga with little Roo dangling precariously from her pouch.  Dividing the opposing wall is a double French window some five feet high and four feet wide and open to a silky breeze that shifts across my skin through a sheer window screen.  I sit on the edge of the bed, eyes closed and breathe in deeply – a troubled breathe.  I want to hold on to something that feels like it is leaving me, but what …?

If only I could just ...



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