Paper Abstract
(5 pp) In the he late 1880s Strindberg began to experiment with free verse and created the great dramas The Father (1887), Miss Julie (1888), and Creditors (1888). The Father vividly expresses Strindberg's view of the war between the sexes, in which he saw man as victimized by woman. Miss Julie is a psychological study of the seduction of an upper-class woman by an insensitive chauffeur. This discussion will look at the naturalism shown in both plays. Bibliography lists 6 sources.
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