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Albert Camus' The Stranger: Meursault as a Threat to Society (5 Pages, 59.75 USD)

This 5 page paper provides an overview of the basic characteristics of the protagonist in Albert Camus' novel The Stranger. This paper considers the role that Meursault played and why he was considered such a threat to society. No additional sources cited.

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Albert Camus’ The Plague As Political Allegory (5 Pages, 59.75 USD)

The Plague by Albert Camus is not generally considered as a political treatise but, rather, as a philosophical work on the subject of ethics. Camus believes that the evils that lie in wait for the unsuspecting can be battled through knowledge and the ability to learn from the mistakes of history. This 5 page critique argues that the reactions of most when confronted by something as insidious and seemingly natural as the plague and, or, fascism is fear; and fear tends to make followers out of people. The denial that evolves from fear assists those seeking power to intimidate and control. No additional sources are listed.

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Black Orpheus (7 Pages, 83.65 USD)

This 7 page paper assesses the play Black Orpheus directed by Marcel Camus, and compares Camus’ version to the original play. This paper assesses some of the most significant features of both the film and the musical play, and considers the impact of Camus’ personal insights into the development of the film.

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Cultural Influences on Eliot’s “Waste Land” (10 Pages, 119.5 USD)

A ten page paper looking at T.S. Eliot’s famous 1922 poems in terms of some of the socio-political, scientific, and aesthetic influences that grounded it, as well as its later legacy. Specific works discussed include: Eliot’s essay “Tradition and the Individual Talent,” his poem “Gerontion,” Habermas’ “Modernity’s Consciousness of Time and its Need for Self-Reassurance,” Neitzsche’s “On the Genealogy of Morals,” Camus’ “The Stranger,” Conrad’s “Heart of Darkness,” and Freud’s “Civilization and its Discontents”. Bibliography lists nine sources.

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Truth and Morality in Dostoevsky, Nietzsche, and Camus (4 Pages, 47.8 USD)

A four page paper looking at the mutable nature of truth according to these three authors. Specific works covered are Dostoevsky’s “Notes from the Underground,” Nietzsche’s “The Anti-Christ,” and Camus’ “The Fall.” No additional sources.

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Camus, Sartre and Kafka: Transformation (5 Pages, 59.75 USD)

Death may well be the ultimate transformation. For many, space and time are defined in terms of prior to death of the physical self and the 'afterlife'. Franz Kafka's short story, The Metamorphosis, Albert Camus' story of The Stranger and Jean Paul Sartre's play, No Exit are all centered on an instance of transformation. This 5 page paper asserts that in each instance, there is either a physical or emotional death that allows the rebirth of understanding. In each story, the 'afterlife' is portrayed as a psychological nightmare determined by the life of the character. No additional sources are listed.

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Camus' The Plague (3 Pages, 35.85 USD)

The plague in this story by Albert Camus, comes into the lives of the people in the city of Oran and irreparably changes each and every one of them. The isolation of quarantine in addition to the pressures of a city in the midst of the process of death is seen in the reactions of the characters. This 3 page paper asserts that the Doctor was able to cope by retreating into the role of professional and observer, Tarrou accepted responsibility for the plague and retreated into his own recriminations while Joseph was able to use the strength of his own character and assert a sense of compassion and care. No additional sources are listed.

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Camus & Wiesel/A Comparison (7 Pages, 83.65 USD)

A 7 page analysis of The Plague by Albert Camus and Night by Elie Wiesel. At first glance, these two works appear to be very dissimilar; however, the writer argues that they actually have quite a few points in common. Wiesel's book concerns the Holocaust and Camus' work appear to be about a plague hitting the French town of Oran. However, Camus' work is intended to be read as an allegory and this story, also, deals with the ravages committed against the human soul by Nazism. No additional sources cited.

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Camus' The Plague and Wiesel's Night (7 Pages, 83.65 USD)

The first passage from Night, by Eli Wiesel and the last passage from The Plague by Albert Camus present the soul and meaning of the works by these artists. Both books are written with the atrocities of World War II as the foundation. Wiesel's rendition is direct, telling the story of a survivor of the Jewish extermination camps in Germany. Camus presents an analogy of the invasion of Europe by the forces of Totalitarianism at the beginning of the War. This 7 page paper asserts that both of these stories are concerned with the realities of World War II and that both authors present alarmingly evil pictures of the world. Both stories carry the message: Never forget, lest the evil returns. No additional sources are listed.

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Fascism, Rats and The Plague (8 Pages, 95.6 USD)

The Plague by Albert Camus is a thinly disguised treatise against the totalitarian states of Fascist Italy and Nazi Germany. The analogy of the plague as compared with the encroachment and devastating effect of these political forces is obvious, given the time of the writing and the known views of the author. This 8 page paper suggests that there also exists a comparison between the rats that brought the plague and fascist philosophy. The question is asked: How is the return of the rats interpreted through the fascist philosophy as presented by Giovanni Gentile? To answer this, the first section gives background information on Fascism, the second section deals with Gentile and his philosophies and the final section looks at the metaphor of the rat as presented in The Plague. Bibliography lists 9 sources.

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