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| 222. |
A Midsummer Night's Dream vs. Much Ado About Nothing / A Comparison
(6 Pages, 71.7 USD)
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In 6 pages the author compares two of Shakespeare's comedies: "A Midsummer Night's Dream" and "Much Ado About Nothing." When compared and contrasted many similarities and differences are found in terms of the relationships that are seen between love and marriage, sex and dowries, and fathers and daughters in the comedies "A Midsummer Night's Dream" and "Much Ado About Nothing" by William Shakespeare. Bibliography lists 3 sources.
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| 224. |
Homoeroticism in Three Plays of Shakespeare
(12 Pages, 143.4 USD)
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A 12 page paper which examines homoeroticism, as exhibited in the William Shakespeare plays, The Merchant of Venice, As You Like It, and Twelfth Night. Specifically considered are the homoerotic undertones of same-gender friendships, cross-dressing and transformation. Bibliography lists 11 sources.
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| 226. |
The Postmodern Shakespeare
(10 Pages, 119.5 USD)
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A 10 page analysis of the validity of the opinions of philosopher Stanley Cavell regarding Shakespeare's five greatest tragedies - Hamlet, Othello, King Lear, Macbeth, and Antony and Cleopatra. The paper concludes that Cavell's insights, contained in his book Discovering Knowledge in Six Plays of Shakespeare, can be appropriately applied to Shakespeare, because Shakespeare's mindset was very similar to that experienced by many people in the late twentieth century - as well as aberrant for the early seventeenth. Bibliography lists 3 sources.
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| 228. |
Othello / Short Essay Answers
(7 Pages, 83.65 USD)
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7 pages worth of short answer responses to questions on Shakespeare's "Othello" including character discussions of Dedemona, Othello, and Iago. Insightful observations are made. No Bibliography.
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| 229. |
Othello As An Honest, Admirable, and Unchanged Character
(1 Pages, 11.95 USD)
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A 1 page essay discussing how Othello's last words in the play indicate the he was indeed the same man he had been at the beginning of the story - his character unchanged. The writer sees Othello as a character worthy of our sympathy- for he acknowledges his own mistakes & flaws as he takes his own life, yet he never asks for forgiveness. No Bibliography.
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| 230. |
The Concept of Evil in Ian McKellan's Richard III
(6 Pages, 71.7 USD)
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A 6 page paper discussing filmmaker Ian McKellan's version of Shakespeare's history play. It concludes that evil is not a state of being; it is an active verb, and evil remains evil regardless of its causes. An added section provides some history of the Globe and Blackfriar's theaters. No additional sources cited.
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