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| 201. |
Shakespeare's Women / Taming vs. Much Ado
(10 Pages, 119.5 USD)
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A 10 page paper on the women characters in Taming of the Shrew and Much Ado About Nothing. The writer examines the traditional and non-traditional women's roles as they are portrayed by Bianca and Hero, and Katherine and Beatrice, respectively. Bibliography lists 6 sources.
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| 202. |
As You Like It vs. Merchant of Venice / Shakespeare's Portrayal of Women
(10 Pages, 119.5 USD)
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The comedies of Shakespeare are often the forum for comment concerning the assignment of gender roles that were true for the Elizabethan society of which he was a part. Under the auspices of the pen and the play he was able to portray women in ways that were not generally acceptable. The characters of Rosalind from 'As You Like It' and Portia from 'A Merchant of Venice' are two cases in point. This 10 page paper examines the use of dialogue, character and costuming in the presentation of gender roles. Bibliography lists 7 sources.
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| 203. |
Fathers In Shakespeare
(7 Pages, 83.65 USD)
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This 7 page paper analyzes the behaviors the fathers in three specific plays: Much Ado About Nothing, King Lear, and Macbeth. The attributes of the fathers caused the deaths of their children in two cases and significant heartache in the other. The three share some similarities in terms of their personalities and goals in life but they are also quite different from each other. The writer points out these differences and similarities with supporting text. Bibliography lists 5 sources.
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| 204. |
Shakespeare's Selfish Fathers
(6 Pages, 71.7 USD)
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A 6 page paper showing the prevalence of the motif of the self-serving father in Shakespeare's plays. It particularly examines Prospero from The Tempest, Lord Capulet from Romeo and Juliet, and Hamlet's two fathers from Hamlet. Bibliography lists one source.
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| 205. |
Social Class In Midsummer Night's Dream vs. Julius Caesar
(8 Pages, 95.6 USD)
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This 8 page paper analyzes the depiction of the lower social class in Shakespeare's plays by examining the roles of the 'rude mechanicals' in "A Midsummer Night's Dream" and the plebeians in "Julius Caesar."
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| 206. |
Works of Shakespeare / The Importance of Reviewing Critical Literature
(5 Pages, 59.75 USD)
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In this 5 page essay, the writer recounts how remarkably important critical sources (i.e., books, articles, etc;) were in helping them to understand various plays of Shakespeare and truly appreciate them. The writer presents what they "got" from plays like Macbeth, Othello, & King Lear on their own, and then to what subtle points other authors helped them open their eyes. Bibliography lists 6 sources.
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| 207. |
The Page Comes to Life / Shakespeare Observed
(5 Pages, 59.75 USD)
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A 5 page paper on the recent book by Samuel Crowl. It shows how Samuel Crowl focuses on the performance of Shakespeare as opposed to the solitary explication of it, and shows how very different these two modes of writing are, and what different demands they make on both the writer and his 'audience'. No additional sources cited.
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| 208. |
Journeys in Three Shakespearean Plays
(5 Pages, 59.75 USD)
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A 5 page paper on the topic of the journey as depicted in Hamlet, Othello, and Romeo and Juliet. The writer notes that in every case, the literal journey encompasses only a very tiny section of the play; but the hero's departure and return at that precise point in the plot has great significance to the outcome of the story as a whole. Bibliography lists one source.
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| 209. |
The Tempest and All's Well That Ends Well / Liberation & Coercion
(6 Pages, 71.7 USD)
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A 6 page paper comparing pairs of characters in these two Shakespearean plays. Specifically, the paper compares the way Prospero restricts Miranda's freedom versus the way Helena entraps Bertram, and contrasts the two plays' very different resolutions. Bibliography lists 10 sources.
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| 210. |
Comedy in 'Antony and Cleopatra' vs. 'All For Love'
(5 Pages, 59.75 USD)
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A 5 page paper analyzing the use of the techniques and structures of comedy in these two works. The paper notes that because Shakespeare wrote in the Elizabethan era and Dryden during the Restoration, their differing sensibilities cause them to write a play that was natural and charming on the one hand and formal and sophisticated on the other. No additional sources listed.
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Paper Keywords -dryjo
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