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Shakespeare

201. Shakespeare's Proto-Feminism In 'Antony and Cleopatra' and 'Hamlet'   (10  Pages, 119.5 $ (USD) )
A 10 page paper discussing the character of Shakespeare's women in these two plays. The paper specifically contrasts Cleopatra and Ophelia, and discusses whether the Bard was a proto-feminist. No additional sources cited.
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202. 'Hamlet' and 'Othello' / Themes of Friendship & Betrayal   (5  Pages, 59.75 $ (USD) )
This 5 page research paper discusses how the themes of friendship and betrayal are expressed in the William Shakespeare plays, Hamlet and Othello. Specifically discussed are how each theme is defined, developed and resolved (or not) over the course of each play among the different characters, and the images which further reinforces the themes. Bibliography lists 2 sources.
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203. Hamlet & Othello / The Men   (5  Pages, 59.75 $ (USD) )
A 5 page paper examining the main characters, Hamlet and Othello, of the same titled plays by Shakespeare. Both men, while coming from different backgrounds and holding different titles, are essentially made of the same stuff. They are bold and brave men who are full of passion and strength. They are good men with powerful morals. They know what is right and they fight for the truth and also for love. No additional sources cited.
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204. Shakespeare's Women / Taming vs. Much Ado   (10  Pages, 119.5 $ (USD) )
A 10 page paper on the women characters in Taming of the Shrew and Much Ado About Nothing. The writer examines the traditional and non-traditional women's roles as they are portrayed by Bianca and Hero, and Katherine and Beatrice, respectively. Bibliography lists 6 sources.
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205. As You Like It vs. Merchant of Venice / Shakespeare's Portrayal of Women   (10  Pages, 119.5 $ (USD) )
The comedies of Shakespeare are often the forum for comment concerning the assignment of gender roles that were true for the Elizabethan society of which he was a part. Under the auspices of the pen and the play he was able to portray women in ways that were not generally acceptable. The characters of Rosalind from 'As You Like It' and Portia from 'A Merchant of Venice' are two cases in point. This 10 page paper examines the use of dialogue, character and costuming in the presentation of gender roles. Bibliography lists 7 sources.
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206. Fathers In Shakespeare   (7  Pages, 83.65 $ (USD) )
This 7 page paper analyzes the behaviors the fathers in three specific plays: Much Ado About Nothing, King Lear, and Macbeth. The attributes of the fathers caused the deaths of their children in two cases and significant heartache in the other. The three share some similarities in terms of their personalities and goals in life but they are also quite different from each other. The writer points out these differences and similarities with supporting text. Bibliography lists 5 sources.
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207. Shakespeare's Selfish Fathers   (6  Pages, 71.7 $ (USD) )
A 6 page paper showing the prevalence of the motif of the self-serving father in Shakespeare's plays. It particularly examines Prospero from The Tempest, Lord Capulet from Romeo and Juliet, and Hamlet's two fathers from Hamlet. Bibliography lists one source.
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208. Social Class In Midsummer Night's Dream vs. Julius Caesar   (8  Pages, 95.6 $ (USD) )
This 8 page paper analyzes the depiction of the lower social class in Shakespeare's plays by examining the roles of the 'rude mechanicals' in "A Midsummer Night's Dream" and the plebeians in "Julius Caesar."
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209. Works of Shakespeare / The Importance of Reviewing Critical Literature   (5  Pages, 59.75 $ (USD) )
In this 5 page essay, the writer recounts how remarkably important critical sources (i.e., books, articles, etc;) were in helping them to understand various plays of Shakespeare and truly appreciate them. The writer presents what they "got" from plays like Macbeth, Othello, & King Lear on their own, and then to what subtle points other authors helped them open their eyes. Bibliography lists 6 sources.
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210. The Page Comes to Life / Shakespeare Observed   (5  Pages, 59.75 $ (USD) )
A 5 page paper on the recent book by Samuel Crowl. It shows how Samuel Crowl focuses on the performance of Shakespeare as opposed to the solitary explication of it, and shows how very different these two modes of writing are, and what different demands they make on both the writer and his 'audience'. No additional sources cited.
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