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| 51. |
Michael Collins in Film & Historical Fact
(16 Pages, 191.2 USD)
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A 16 page paper which examines the relationship between the presentation of facts in Neil Jordan's 1996 film on the Irish revolutionary, Michael Collins, and the historical record of his life to determine whether or not the movie is an accurate depiction. Bibliography lists 13 sources.
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| 53. |
Francis Ford Coppola's 'Apocalypse Now'
(5 Pages, 59.75 USD)
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5 pages in length, this essay examines the influence of Joseph Conrad's 'Heart of Darkness', Friedrich Nietzsche's 'The Birth of Tragedy', and Sir James Frazer's 'The Golden Bough' on Francis Ford Coppola's film 'Apocalypse Now'. Outlined are the many parallels between 'Heart of Darkness' and 'Apocalypse Now'. Bibliography lists 6 sources.
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Paper Keywords -joheart
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| 54. |
Drug use Portrayed in Films
(9 Pages, 107.55 USD)
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In 9 pages, the author writes an essay on drug use portrayed in films. America has an active romance going with illicit drug use. This is evident in the number of films in which drug use is portrayed. Drug use is portrayed in the manner that it actually happens on the street, or in whatever venue it occurs. This use of drugs has been portrayed as both appealing and as disgusting. The film industry has taken this taboo and shown the highs and the lows of drug use. Bibliography lists 15 sources.
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| 55. |
The Rock: Featured Organization
(5 Pages, 59.75 USD)
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A 5 page paper which discusses the movie 'The Rock,' and how it involves featured organization. Each and every group within this movie, illustrates various forms of organization as it relates to communication. And each of the groups or teams illustrated, also illustrates the need for change in the face of actual implementation. Each group within the movie is discussed and examined from the perspective of the success factor found with the individual featured organization. Bibliography lists 4 additional sources.
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| 56. |
Ethnicity & The Movies / A Look at Recreation and Poetry
(5 Pages, 59.75 USD)
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A 5 page paper that considers the themes of poems by Clifton, Divakaruni and a short story by Johnson as they represent cultural and social ethnicity and consider the role of the cinema in designing different perspectives. Bibliography lists 3 sources.
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| 57. |
The Film, City of Joy (1992), From an Anthropological Perspective
(5 Pages, 59.75 USD)
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A 5 page paper which examines the film, City of Joy (1992), from an anthropological viewpoint, specifically defining and considering concepts of ethnocentrism, culture change, subculture and gender roles. Bibliography lists 3 sources.
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| 58. |
Three Films That Changed The Industry
(5 Pages, 59.75 USD)
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A 5 page examination of three separate films which served to change the way the film industry depicted scenes and images. These three movies are as follows: 'Birth of a Nation' (1915), 'The Cabinet of Doctor Caligari' (1920), and 'Battleship Potemkin' (1925). Each of these films presented new and impressive images that were possible through film. They were films produced in the early stages of filmdom and their methods, while changing somewhat, have essentially remained the same and been an influence for all other film makers to follow. No additional sources cited.
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| 59. |
Woody Allen & The Theme Of Love Short-lived
(10 Pages, 119.5 USD)
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In this 10 page paper, the writer argues that Woody Allen's films typically revolve around themes of love; particularly those that illustrate how this most hopeful emotion fades with time and is not the ever-lasting blessing that poets claim. Examples from many of his films are given to support this point. Some of the ones discussed include : 'Naked In New York,' 'A Midsummer Night's Sex Comedy,' 'Love & Death,' 'Zelig,' and 'Play It Again, Sam.' Bibliography lists 11 sources.
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| 60. |
Postmodern Style And The World Views Of Directors Danny Boyle And John McNaughton
(20 Pages, 239 USD)
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A 20 page paper which considers postmodernism and spirituality, whether there is a postmodern spirituality that differs from traditional and modern, its role in postmodern cinema, transcendence and the postmodern representation of violence. Specifically examined are six films by postmodernist directors Danny Boyle and John McNaughton. Bibliography lists 18 sources.
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