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Music/Film/Photography

241. Mozart's Minuet for String Quartet in D Major   (4  Pages, 47.8 USD)
A 4 page opinion paper on a particular minuet. The writer details the structure of the piece, its quality, the composer's apparent intentions, and the emotional response of the listener. No bibliography is included.
Paper Keywords -mozy
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242. Smetana's 'Sarka,' Mozart's Piano Concert #22, & Schumann's Symphony #3   (5  Pages, 59.75 USD)
5 pages in length. The three composers, seemingly so different, shared a number of characteristics. The three pieces of music are examined (briefly), as is the life of the individual composers. Bibliography lists 2 sources.
Paper Keywords -mozy
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243. Vivaldi's 'Four Seasons'   (2  Pages, 23.9 USD)
Antonio Vivaldi wrote his baroque concerto 'Four Seasons' in the 18th century, during a period of extended musical expressionism in Venice and throughout Italy. This 2.5 page paper provides a concise overview of Four Seasons and considers key elements such as composition, dynamics, medium, form and overall impression. Bibliography lists 2 sources.
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244. Ravel's 'Bolero'   (3  Pages, 35.85 USD)
Maurice Ravel's 'Bolero' is believed to be one of the most popular pieces of classical music that has ever been written. In 3 pages, the writer of this paper provides an analysis of Bolero that includes an overview of the type of composition, the dynamics, tempo, melody, harmony, and an overall impression. Bibliography lists 3 sources.
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245. Musical Influences Of The 18th Century   (4  Pages, 47.8 USD)
A 4 page essay on how the music of the 18th century reflected the philosophical, social and political climate of the time. The writer particularly emphasizes how the music of Mozart reflected and perpetuated this ideas of the Enlightenment. Bibliography lists 3 sources.
Paper Keywords -enlit
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246. Claude Debussy, Impressionist   (11  Pages, 131.45 USD)
An 11 page argumentative essay supporting the idea that Debussy is properly called an impressionist, rather than a symbolist. The paper discusses the Preludes in relationship to this argument, including the points of how Debussy utilized form to create new tonalities that influenced the composers of this century. The paper also argues the influences behind the tag 'impressonionism' as it applies to Debussy, including his love of impressionistic art and literature, and other international musical genres. Bibliography lists 14 sources.
Paper Keywords -debux
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247. Darius Milhaud / Composer   (5  Pages, 59.75 USD)
A 5 page paper providing an overview of the life and works of Darius Milhaud, one of the most influential French composers of the 20th century. This paper suggests that even in light of signficant physical infirmities and social issues, Milhaud was still able to create over 400 works, demonstrating both his complexity and dedication to music. Bibliography lists 4 sources.
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248. Maurice Ravel / French Composer   (5  Pages, 59.75 USD)
A 5 page research paper which looks at the life and musical career of this influential twentieth-century French composer. The writer discusses the differences between the work of Ravel and Debussy, with whom his work is often paired, and discusses how the intensely romantic nature of Ravel's work added to its popularity. Bibliography lists 5 sources.
Paper Keywords -debux
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249. Puccini's 'La Tosca' / The Relationship Between Tosca & Mario Cavardadossi   (5  Pages, 59.75 USD)
The title character of Puccini's La Tosca is a deeply conflicted woman. Tosca is both fragile and volatile, vulnerable and enraged. Her jealousy, perhaps her central character flaw, is expressed through the music of this opera, and the relationship between Tosca and Mario is the central tragedy of this work. This 5 page paper considers the relationship between the actions of the characters and the operatic developments that represent the tormented and tragic relationship between Tosca and Mario. No additional sources cited.
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250. Puccini's Tosca / The Relationship Between Tosca And Mario Cavardadossi, Act I   (5  Pages, 59.75 USD)
The title character of Puccini's La Tosca is a deeply conflicted woman. Tosca is both fragile and volatile, vulnerable and enraged. Her jealousy, perhaps her central character flaw, is expressed through the music of this opera, and the relationship between Tosca and Mario is the central tragedy of this work. This 5 page paper considers the relationship between the actions of the characters and the operatic developments that represent the tormented and tragic relationship between Tosca and Mario. No additional sources cited.
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