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| 1. |
History of British Theatre in the Twentieth Century
(28 Pages, 334.6 USD)
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This 28 page paper examines the development of the theatre in England during the twentieth century. The paper considers the different styles seen, looking at realism, abstract, suggestive and interventionist theatre. This is considered in time order and also incluides elements such as the ay staging took place, lighting and general technology impacted on production. The paper then examines the way in which social constraints impacted on the way the theatre developed including the censorship laws and the reaction to those censorship laws. The final paper of the paper speculates the cycle is turning full circle with the rebuilding of the old Globe theatre in London. The bibliography cites 15 sources.
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| 2. |
Theatrical Design Overview
(9 Pages, 107.55 USD)
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9 pages in length. Experiencing the theatre is much more than going to watch an actor on a stage; everything about that stage - from the lighting to the sets to the scenery - plays an enormous role in the overall appeal of the production. Without theatre design, there would exist no theatre, which is why there is so much emphasis placed upon the necessity of spectacularly talented individuals to bring a stage to life. The writer discusses the various stages of a production, as well as briefly describes the beginnings of theatre design. Bibliography lists 7 sources.
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| 3. |
Set Design/Gordon Craig & Adolph Appia
(5 Pages, 59.75 USD)
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A 5 page research paper that focuses on two revolutionary theatre set designers. Toward the end of the nineteenth century, two stage designers-Adolph Appia (1862-1928) and Edward Gordon Craig (1872-1966)-"revolted against the scenic practices of the traditional European acting company" (Wild, 2003). In European theatre at that time, scenery presented a two-dimensional box that surrounded the actor on a flat stage. Both Craig and Appia were instrumental in moving set design away from the restrictions of the past and toward a more flexible and imaginative future. Bibliography lists 7 sources.
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| 4. |
American Theatre:
(5 Pages, 59.75 USD)
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This 5 page paper is an in-depth study of the American Theatre. This paper provides historical insights as well as outlining the different stages of development for the theatre. The stages are examined and each is highlighted with many examples of playrights and their works. Bibliography lists 13 sources.
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| 5. |
Craig and theatre design
(8 Pages, 95.6 USD)
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A paper which looks at the importance of Gordon Craig's contribution to theatre design, both in terms of his innovative staging and the way in which his perspective of the function of theatre as a whole influenced changes in the presentation of dramatic texts in the twentieth century. Bibliography lists 8 sources
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| 6. |
The Globe Theatre
(12 Pages, 143.4 USD)
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This 12 page paper compares and contrast the performance conditions which existed when the Globe Theatre originally opened with the Globe Theatre of today. The bibliography cites 12 sources.
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| 7. |
"Theatre for Community Conflict and Dialogue"
(5 Pages, 59.75 USD)
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A 5 page discussion of the value of improvisational theatre in the educational/community setting. The author of this paper asserts that these techniques, techniques illuminated in Michael Rohd's "Theatre for Community Conflict and Dialogue: The Hope Is Vital Training Manual", can be of tremendous value in integrating school with community. No additional sources are listed.
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| 8. |
Censorship in British Theatre
(10 Pages, 119.5 USD)
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This 10 page paper considers the way in which the UK theatre has been censored. From the fifteenth century through to 1968 plays needed to be licensed before being stages. The writer considers this time, the resistance to censorship and how this has impacted on the modern theatre in the UK, especially when compared with the rest of Europe. The bibliography cites 5 sources.
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| 10. |
Rhetoric in Theatre and Film
(8 Pages, 95.6 USD)
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Rhetoric in Theatre and Film: This 8-page essay examines the ways in which rhetoric functions within the constructs of theatre and film, while also contrasting the relationship between Eastern and Western mentalities relevant to rhetorical expression. By way of example, two divergent films will be used: “The Emperor and the Assassin” and “The Godfather.” Bibliography lists 6 sources. SNThefil.doc
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