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| 1. |
Narration in the Context of Cognitive Film Theory
(35 Pages, 418.25 $ (USD) )
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This 35 page paper explores both cognitive film theory and the theory of film narration separately as concepts and then together as applied to film. Several films are looked at as examples such as Citizen Kane, A Christmas Story, Clockwatchers, Requiem for a Dream and American Psycho. Genre, particularly postmodernism, is discussed in the context of cognitive film theory. Emotion is also explored in depth. Strengths and weaknesses of the narrative are also discussed. Bibliography lists 17 sources.
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| 7. |
Hardy's, "The Three Strangers":
(4 Pages, 47.8 $ (USD) )
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This 4 page paper examines the story of "The Three Strangers" in regards to characters, plot, imagery, theme, narration, etc. This paper furthermore explores the way in which this story relates to Victorian era themes and trends. Bibliography lists 1 source.
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| 8. |
Author’s Ideology as Reflected in Alice Walker’s “The Color Purple” and Jane Austen’s “Pride and Prejudice”
(5 Pages, 59.75 $ (USD) )
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This is a 5 page paper discussing how the ideologies of Alice Walker and Jane Austen are represented in their novels. Women novelists Alice Walker and Jane Austen provide different examples of how they have managed to represent their own ideologies within their novels. Alice Walker wrote “The Color Purple” in 1982 and conveyed her ideologies of equal and civil rights through the first person narration of the central character of Celie who is a poor, black woman living under the oppression of society and the men in her life. Her character slowly develops a sense of independence that Walker wishes upon her black female readers. In the 19th century, Jane Austen’s novel “Pride and Prejudice” also included Austen’s feminist ideologies in regards to many of the unreasonable and unequal aspects in society in the treatment of women. Because Austen was writing at a time when women were expected to only write sentimental novels however, Austen reveals her ideologies through the minor characters in the book, such as Mrs. Bennet, who through a satirical twist find society’s conventions unreasonable while her central characters are considered conventional and therefore accepted. Bibliography lists 5 sources.
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| 9. |
A Formalist Look at Kate Chopin’s “The Story of an Hour”, 1894
(7 Pages, 83.65 $ (USD) )
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This is a 7 page paper that studies Kate Chopin’s short story “The Story of an Hour” from a formalist perspective. Writer Kate Chopin (1851-1904) wrote during the time of naturalism which was considered as a “literature of manly men”. However, critics argue that a purely masculine approach to naturalism and the reality of the 19th century ignores “one of the most fascinating aspects of this work: its ongoing concern with women’s relationship to modernity”. A formalist approach to Chopin’s short story “The Story of an Hour” incorporates all of the traditional analytical and formal procedures dealing with the work such as the structure, relationship between the parts, narration, characters, setting and language. Instead of being merely analytical however, readers of Chopin’s “The Story of an Hour” understand Burke’s definition of form as “the arousing of fulfillment of desires” which stresses the “realistic rather than an idealistic basis for form”. Within the work, Chopin also attends to the aspects used within the “American short story” genre which was becoming popular in the 19th century. “The Story of an Hour” not only develops the “practical applications of the notion that the nineteenth-century short story was a generic locale where authors attempted to construct ideological and literary boundaries out of opposing impulses” but the story itself tells of the “imposing impulses” faced by all women at the time, including women writers such as Chopin.
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