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| 1. |
MOZART AND PRAGUE
(10 Pages, 119.5 USD)
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This 10-page paper discusses the life of Wolfgang Mozart in Prague, which was then the capital of Bohemia. The paper examines both the influence of prague on Mozart's writing, as well as the influence of Mozart on the city of Prague itself. Bibliography lists 5 sources.
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| 2. |
Mozart Effect
(6 Pages, 71.7 USD)
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A 6 page research paper that thoroughly investigates the Mozart Effect, which refers to the temporary increase in temporal-spatial ability observed in some studies after listening to a Mozart sonata. The writer discusses what research actually says about the Mozart Effect, as well as the marketing blitz that this research has ignited. Bibliography lists 8 sources.
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| 3. |
“Mozart, 1935” by Wallace Stevens
(5 Pages, 59.75 USD)
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This 5 page report discusses poet Wallace Stevens’ (1879-1955) work “Mozart, 1935.” As Mozart played the present during his life, Stevens will now “play the present” through his own interpretive lyricism which is every bit as compelling in the context of poetry in the 20th century as Mozart’s music was compelling to his admirers of the 18th century. By having the pianist play the out of tune piano, the sound, not necessarily the music, works to drown out the voices of the angry stone-throwers in the street. It is a subtle poem set against the background of the Great Depression and offering ideas regarding the impact an artist can make regardless of the style he or she chooses to use. No additional sources.
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| 4. |
Film Review / Amadeus
(4 Pages, 47.8 USD)
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A 4 page essay reviewing and analyzing the film Amadeus. In this version of Mozart's biography, the story is told through a series of flashbacks as perceived by Mozart's chief antagonist, Salieri. Salieri's hatred and bitterness, which he harbors even after Mozart's death lead to the destruction of both men. No additional sources cited.
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| 5. |
Women in Mozart’s “The Magic Flute”
(5 Pages, 59.75 USD)
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A 5 page paper which examines Mozart’s view of women as seen in his opera “The Magic Flute.” The paper also examines whether Mozart’s views of women are similar to those we have today. Bibliography lists 1 source.
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| 6. |
Mozart/Figaro & Giovanni
(7 Pages, 83.65 USD)
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A 7 page research paper/essay that examines Mozart's Le Nozze di Figaro (The Marriage of Figaro) and Don Giovanni, which shows that these two operas are mirror images of Mozart's Enlightenment era philosophy on the struggle between the classes. The writer emphasizes how the plots of these operas demonstrate Enlightenment concepts (music is addressed in this regard, but not the focus of the paper). Bibliography lists 6 sources.
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| 7. |
Mozart/ 2 Operas
(3 Pages, 35.85 USD)
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A 3 page research paper that contrasts Mozart's Marriage of Figaro with Don Giovanni. The writer argues that Mozart failed to achieve success at the end of his life because his audience was unprepared for the subtlety and sophistication of Giovanni. Bibliography lists 4 sources.
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| 8. |
Mozart/ Symphony No. 41, the "Jupiter"
(3 Pages, 35.85 USD)
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A 3 page musical analysis of Mozart's final symphony, no. 41, known as the "Jupiter." The writer details the musical elements of the first movement and argues that it exemplifies Mozart's plan for the entire work. Bibliography lists 2 sources.
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| 9. |
Wolfgang Mozart
(7 Pages, 83.65 USD)
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7 pages in length. One of only two surviving children out of seven, Wolfgang Mozart was born into a family full of love, support and nurturing. His musical talents were noted at quite an early age, with his father – Leopold – taking a particularly stringent approach to cultivating his budding musical abilities. Inasmuch as Wolfgang's father was a loving, but exacting, advisor, the child was showered upon with special attention and the opportunity to learn things his counterparts did not. The writer discusses Mozart's childhood as well as his composition, Messiah. Bibliography lists 4 sources.
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| 10. |
The Countess in Act II of Figaro
(5 Pages, 59.75 USD)
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A 5 page research paper in which the writer offers an analysis of The Marriage of Figaro by exploring the amalgamation of genius that is represented in this opera, as it combines the musical genius of Mozart with the brilliance of Lorenso da Ponte's libretto. The writer does this by focusing on the characterization of the Countess in Act II of this classic opera, and also on how Mozart's music complements the characterization as it is established through the medium of the libretto. Bibliography lists 3 sources.
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