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| 1. |
Keats and Dickinson: Differing Approaches to Eliciting Emotion in Romanticism
(6 Pages, 71.7 USD)
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A 6 page contention that feeling and emotion are each integral components of the Romanticist literary style. This style attempt to move its reader through emotion and description, not necessarily realism. While other styles of literature often resort to historical fact or even scientific fact, Romanticism depends of its ability to influence the deep emotional and perceptual resources of its audience. This paper presents the contrast which exists between Emily Dickinson and John Keats in the manner in which they elicit this emotion. While Dickinson concentrates on emotion as it relates to human feelings, Keats is noted for his ability to bring to life the emotion which can be encased in even inanimate objects.
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| 3. |
Are Emotions Wholly Different from the Rational Intellect? A Discussion Using Some Arguments from Plato’s “Republic”
(6 Pages, 71.7 USD)
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This is a 6 page paper discussing emotions and rational intellect. Traditionally in ancient Greek philosophy as seen in Plato’s Republic, emotions are considered as separate from rational intellect. In Plato, he presents three souls in the human body which consist of rational intellect, emotions and will. For Plato, all three souls must work in harmony in order for a man to be considered just. Regardless of Plato’s arguments however, examples can be given which show that perhaps emotions and intellect are not developmentally separate and in all cases, the intellect and emotions have an effect on each other in addition to having a mutual control over the will. Bibliography lists 2 sources.
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| 4. |
Edgar Allen Poe’s “The Cask of Amontillado”: The Underlying Current of Emotion
(6 Pages, 71.7 USD)
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A 6 page investigation into Poe’s use of emotion in this macabre story of horror. Contends that Poe’s utilization of emotion is two faceted, consisting of a deep undercurrent of masked emotion punctuated only periodically with the raw unleashed acknowledgment of emotion. Emphasizes that Poe uses this more subtle approach to emotion to balance his macabre work but reveals as well that this emotion is deeply tied to Poe’s inner emotions as well. Bibliography lists 3 sources.
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| 6. |
Sigmund Freud’s Views on Love
(5 Pages, 59.75 USD)
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A 5 page discussion of Freud’s views of the emotion we call love. Freud viewed this emotion as just one more manifestation of the sexual drive with which we are born. This paper contends that, under the Freudian view, adult sexuality was synonymous with the emotion we call love. To him, therefore, love was simply an extension of those same feelings we first experience in childhood. Bibliography lists 2 sources.
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| 7. |
Cognition and Emotions
(8 Pages, 95.6 USD)
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This 8 page paper develops the view that cognition and emotion play equally important roles in the development of consciousness. Though it has been proposed by psychologist like Ellis that cognition must come before emotion, there is also opposition to Ellis' premise. By looking at the cognitive theories of psychologist's like Piaget, and considering the premises set by other psychologists, it is possible to determine that the most effective argument for the development of consciousness incorporates primary consideration for both emotion and cognition.
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| 9. |
The Managing of Customers' Emotions
(8 Pages, 95.6 USD)
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This 8 page paper examines the idea that emotions play a large role in customer service. Various aspects of managing emotions and the consumers' emotions are discussed. Bibliography lists 4 sources.
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| 10. |
Emotions – What Good Are They Anyway?:
(8 Pages, 95.6 USD)
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Emotions – What Good Are They Anyway?: This 8-page report examines some of today’s most hotly debated theories relevant to the origin, evolution and necessity of human emotions. Some experts claim that they are critical to our very physical and psychological survival. However, there are those of another ideology who assert that emotions are tantamount to the appendix – essentially obsolete. Bibliography lists 12 sources. SNEmotio.wps
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